Social justice

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“Karens”: women only?

Today a “Karen” was criminally indicted. The woman’s name is not Karen, but Amy, Amy Cooper. She appeared as “Karen” in the tweet seen here, posted by Melody Cooper (no relation), the brother of a bird watcher, her brother, Christian. Amy was walking her dog in New York’s Central Park, but contrary to the regulations in that area, her dog was not leashed. Christian asked her to use a leash, to keep the dog from scaring away the birds. She responded by threatening to call 911, telling Christian that she was going to tell the operator that she was being threatened by a black man. She did in fact call, saying “There is a man, African American, he has a bicycle helmet and he is recording me and threatening me and my dog…please send the cops immediately!”. Manhattan District Attorney Cyrus Vance said today, in announcing the prosecution, “Our office initiated a prosecution of Amy Cooper for falsely reporting an incident in the third degree. We are strongly committed to holding perpetrators of this conduct accountable.”

So why is Amy Cooper a Karen? “Karen” has in fact become a popular online meme, typically used as shorthand for a white, middle-aged North American woman, reeking of privilege (whiteness, class, wealth) and selfishness (I matter more than you) who asserts her own rights over those of (racial, cultural, financial, political) others in confrontations captured on video and posted online. Many of those encounters in recent weeks deal with women asserting the right not to wear a face mask, even in environments in which that is required. Also reported have been women protesting stay-at-home orders, demanding the right to have nails done or to visit a hair salon. But Karens are not new. A recent report from the NPR program “On the Media” listed a host of Karen types, often with names linked to the activity they reported or the context of the encounter: Barbecue Becky, Bus Berator Brenda, Lawnmower Lucy, Pool Patrol Paula, Racist Roslyn, Walmart Mary, Airline Amy. In that report, the host, Brooke Gladstone, explored with Apryl Williams, a professor of communications and media at the University of Michigan, the origins of the Karen meme.

Interestingly, these annoying individuals seem to always be women. In that sense, the phenomenon resembles the complaints about speech patterns like vocal fry (use of a deep, creaky, breathy sound), upspeak (rising intonation applied to all utterances, not just questions), or use of hedges (disclaimers, tag questions), all associated with women. It’s not that these speech habits do not exist, it’s that social censure rarely is directed to particular male speech patterns like self-assertiveness, insensitivity, or excessive volume. Why the difference? In the US there is been lately a growing awareness of the reality of institutional racism in this society, but the same power structure, favoring white males, also tilts in favor of men.

BTW, the incident in Central Park occurred on May 25, the same day that George Floyd died in police custody. In the discussion on “On the Media” on Karens, Professor Williams emphasized that racism is at the core of Karen behavior:

It is the primary motivating factor for placing that call to the police. I’m not sure that if these incidences were happening to white people that they would feel the need to call the police at all. If they were, we would hear about it, as we have recently with COVID, where white people are being kicked out of stores because they refuse to wear a mask. So, if it were the case that white people were calling the police randomly on other white people, I think we would hear about it. The fact that these incidents keep happening to black people, black men in particular, says that we are still grappling with the same type of racism that we were dealing with under Jim Crow era segregation. And that’s central to these memes.

It may be that the US is at a turning point in race relations. Some recognition of male privilege, as well as white privilege would be welcome as well.

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Potent symbolism: Knees, Bibles, Statues

George Floyd being killed

Symbols are powerful. They can hold meaning that is intensely felt by members of a group and can be a way to identify who is and who isn’t accepted as a member of the group. That symbolism might come in the form of dress/appearance. As I commented recently, face masks in the US have become such a symbol, signaling for many political affiliation. Recently we have seen symbolic action surrounding race relations in the US. In this case, the act of kneeling has come to be imbued with powerful meaning. This has been triggered by the death in Minneapolis of George Floyd, killed by a police officer kneeling on his neck for nearly 9 minutes despite Floyd’s pleading that he couldn’t breathe. The symbolism of white suppression is highlighted by the nonchalant posture of the officer, with his hands in his pockets.

This individual incident adds to a large number of similar deaths of black men at the hands of the police, leading to wide-spread protests against racism and police brutality throughout the US, as well as in other countries.

Protesters kneeling

Often the protesters will collectively “take a knee”, kneeling in solidarity with Floyd and with black and brown citizens generally. This in turn recalls the actions of American footballer Colin Kapernick in 2016 who famously kneeled during the playing of the US national anthem before games started, as a protest against the treatment of African-

Houston Chronicle

Americans by the police. The front page of the sports section of the Houston (Texas) Chronicle newspaper recently reflected that fact: rather than reports on game results, the page borrows from John Lennon’s Imagine, here applied to the death of George Floyd.

In response to the protests, and to the violence that has ensued in some cities, President Trump this week had the square in front of the White House cleared of protesters with tear gas, despite the fact that they were lawfully and peacefully protesting. That happened so that the President could walk across to St. John’s Church so he could have his picture taking holding a Bible. He did not pray nor kneel. Apparently, the action was intended as a signal that the President was upholding Christian values, but how that related to the protests or to police misconduct is not clear. However, as the holy script of Christianity, founded on the life of Jesus Christ, the Bible most evidently represents the values Jesus exemplified: love of one’s neighbor, solidarity with the downtrodden, leading a life of virtue and humility. It’s not evident that President Trump had those values in mind, but was more likely using the Bible to signal his belonging to politically conservative US Americans and perhaps to show his ability to use his power to disperse unwelcome protests.

Lee Statue and protesters

A very different reaction to the protests generated by Floyd’s death occurred here in Richmond, Virginia, where there have been mass protests this past week. The governor announced that the statues of figures from the Southern Confederacy, located along Monument Avenue, would be taken down. The statues were erected as a sign of pride in the Southern “lost cause” of the Confederacy, a state that separated from the Union in order to preserve slavery. This has made the statues symbols of the Jim Crow era of overt racism and therefore a frequent source of concern that they glorify racial injustice. Now they are coming down.

We will see if these symbolic actions will have lasting consequences in terms of race relations in the US, but certainly in the short term there are significant changes happening.

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Virus shutdown: All in this together?

The line at a Job Center in Jackson, Miss [NY Times]

It’s too early to tell just what the changes in our lives will be due to the Coronavirus pandemic, some likely to be short term (face masks?), others more permanent (fewer handshakes?). One of the outcomes already clear is that the pandemic has shined a light on socio-economic disparities. In the US, those who are able to keep their jobs and work from home tend to be upper-income and white.  Those with lower-paid jobs tend to be black or Latinx and face likelier job loss or they may be “essential” workers (grocery store clerks, delivery drivers, fast-food workers) who have a greater risk of infection but are forced to keep working due to economic necessity.

Economic inequality is of course nothing new, and is widespread throughout the world, but as a recent article in the NY Times points out, the virus has exacerbated that inequality:

Workers who are college educated, relatively affluent and primarily white able to continue working from home and minimizing outdoor excursions to reduce the risk of contracting the virus. Minorities [are] suffering both higher death rates and more financial harm. In New York City and across the country, black and Latino Americans are dying at higher rates from the virus than whites. Economic polling data shows they are also losing their jobs and income to an outsize degree.

Those who are affluent are able to isolate themselves and suffer little economic pain. That might mean moving to a second home in a secluded area or even renting an entire hotel for family and friends, and flying to those locations on a private jet. On the other side of the income gap, many people in the US are applying for unemployment (now over 30 million) and waiting in long lines at food banks.

This disparity has not gone unnoticed, particularly as rich or famous Americans express their solidarity with their fellow citizens in social media, leading to considerable backlash. Hollywood billionaire David Geffen, for example, posted an Instagram photo of the sun setting behind his 454-foot yacht in the Caribbean, captioning the photo: “Isolated in the Grenadines avoiding the virus. I’m hoping everybody is staying safe.” He soon after made his account private. The backlash was similar when Madonna posted a video on Instagram of herself in a milky bath sprinkled with rose petals, with the comment that the coronavirus is “the great equalizer.”

Ellen’s “jail”

Ellen Degeneres, broadcasting from her mansion, compared the situation to being “in jail” – many comments ensued, with people wishing for a similar jail cell.

States in the US, following the urging of President Trump, are starting to re-open businesses. As the NY Times article points out, this is likely to accelerate disparities:

Those who are lower paid, less educated and employed in jobs where teleworking is not an option would face a bleak choice if states lift restrictive orders and employers order them back to work: expose themselves to the pandemic or lose their jobs.

Not all economists are convinced that re-opening will necessarily result in swift economic recovery. Until therapeutic treatments or a vaccine are developed or testing has ramped up much higher than is currently the case, it seems unlikely that many will have the confidence to resume their previous shopping, eating out, travelling, or other activities. Meanwhile, it is those most at risk for infection (members of minorities, lower-income whites) who will bear the burden of having to put themselves and their families in danger by going back to work in conditions that often preclude effective social distancing or wearing protective equipment.

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Sophi’s choice is America’s shame

3-year old Sophi

From a story on NPR:

At a Border Patrol holding facility in El Paso, Texas, an agent told a Honduran family that one parent would be sent to Mexico while the other parent and their three children could stay in the United States, according to the family. The agent turned to the couple’s youngest daughter — 3-year-old Sofia, whom they call Sofi — and asked her to make a choice.

The choice the little girl was asked to make was whether she wanted to go with her father, to Mexico, or stay with her mother and her siblings, in the US. If this sounds eerily familiar, you may be thinking of the film starring Meryl Streep, Sophie’s Choice, about a Polish woman in a Nazi concentration camp who is forced to make a horrendous decision about her family, namely to decide which of her two children will live and which will die.

How can it be that in the US we are tearing families apart? And that we are asking a 3-year old, likely already bewildered by her journey and the strange new culture and language, to make such a choice? The Honduran family’s dilemma is a result of the US government policy known as “Migrant Protection Protocols” — also known as “remain in Mexico” — which requires Central American migrants to wait in northern Mexico while their immigration cases are handled by U.S. courts.

Sofi’s family was trying to migrate to the US because the violence in Honduras was coming very close to the family; her grandmother was killed by the gang MS-13, a murder that Sofi’s mom witnessed. Sophi’s aunt was also a witness and was later kidnapped, tortured and slain to keep her from testifying against the gang. The gang then posted a note on the family’s door telling them they had 45 minutes to leave. That’s when the family decided to flee. Added to the very real threat of violence, little Sophi has a heart condition. A US doctor examined Sophi and pronounced her condition as serious. With the help of the doctor, the Department of Homeland Security was convinced to allow the family to stay together for now. Whether they are eventually granted asylum in the US is uncertain.

BTW, Sophi elected to stay with her mother, but she and her brother and sister wailed when their Dad was led away and clung to him to try to prevent the agents separating the family.

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Contrasting views

I am writing this from Brno, Czech Republic, where I have been attending a conference on intercultural communication. There are attendees from all over, but more from Asia than from Europe or North America. The theme of the conference is “East / West: New Divisions, New Connections and Populist Political Reality”. Many Western speakers (UK, USA, Europe) have highlighted (and bemoaned) the populist political atmosphere in many countries, which encourages suspicion of immigrants/foreigners and celebration of nationalist views. In the process, they often critique their national governments, especially the xenophobic rhetoric from Donald Trump’s White House. On the other hand, the Chinese colleagues (not those from Taiwan, Hong Kong, or Macau) have highlighted in their talks a Chinese government development which I have not connected with intercultural communication: the Chinese Belt and Road Initiative. The project involves Chinese companies working with local authorities on infrastructure projects. In the West, it has been controversial due to insensitivity to local cultural conditions and to debt-trap diplomacy.

Another controversial issue that arouse at the conference was the social responsibility of teachers, especially university professors, to speak out publicly about issues that might be viewed as political such as social justice or income inequality. Some colleagues pointed out that in some countries doing so might lead to those speaking out losing their jobs, or even going to jail. Others pointed out that just because of that fact, those of us in countries where it is (relatively) safe to speak out should do so. From that perspective, it may be that for those working in the area of intercultural communication might think about adding to the traditional components of intercultural competence, i.e. skills, knowledge, attitude, a fourth element: action. That would translate into encouraging students to take action to promote intercultural communication, which could involve political engagement, such as working to elect leaders who support tolerance and diversity. If we have that expectation for our students, that translates into teachers doing the same.

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Monuments contextualized

The American Civil War Center

A new museum has opened up recently here in Richmond, Virginia, namely the American Civil War Museum, located in the former Tredegar Iron Works, along the James River. The new institution is a merger of two museums: the long-standing Museum of the Confederacy and the American Civil War Center at Historic Tredegar. The museum is striking, dug into the Tredegar hillside, with a glass curtain as an entrance.  Upon entering, visitors pass through ruins of the Tredegar Iron Works before reaching the museum proper. The take on the Civil War is equally striking. Rather than serving as a shrine to the Confederacy, as one might expect in the city that served as the capital of that break-away entity, the museum strives to tell a balanced and broad history, one that includes narratives from the variety of participants: Union and Confederate, soldiers and civilians, women and children, enslaved and free African-Americans. There is no attempt to provide a single perspective, but rather to mirror the diversity of experiences. According to the architect responsible, Damon Pearson, that idea is built into the building design: “The exhibits themselves are meant to be fragmented. We tried to reinforce that with the architecture. You’re meant to see this event from as many different viewpoints as possible. And you’re seeing all of them simultaneously” (interview in the Richmond Times Dispatch).

One of the crucial aspects of the museum artifacts is that they are shown and documented in context, with rich information on their provenance and on the people involved. That’s in contrast to the famous (or infamous) Confederate statues along Monument Avenue in Richmond (of Stonewall Jackson, Robert E. Lee, and other Confederate war heroes), which are shown larger-than-life, sitting defiantly on their horses, inviting the admiration of viewers who must assume, given the statues’ size and prominence (on a famous avenue), that these were indeed great historical figures. Of course, the reality is more nuanced, as these were the men fighting to maintain slavery, the real issue of the Civil War, as the new museum makes clear. What particularly is missing in viewing the Monument Avenue statues in their current stand-alone status (a small name plaque provides basic info), is the fact that they were built during the Jim Crow era, as a manifestation of the belief in the Confederate “lost cause” narrative, i.e. that the Confederacy was a just cause and that the South was in its rights to secede (and to maintain slavery). In other words, the statues are a monument to white supremacy. Without the historical context, that is not immediately evident. Monuments have such a profound influence on the narratives that shape personal and group identities that we need to have as much historical context as possible to provide story lines that accord with historical reality.

One of the ways that context could be provided in viewing historical or culturally significant sites would be to use mobile technology through augmented reality. A mobile app could provide an overlay of information when a viewer points a mobile phone at a statue or other artifact. That is being done today often for tourists with apps such as wikitude, which uses image recognition technologies that allow for viewed images (through the phone’s camera) to trigger the display of localized information. That approach is being used today in Miami to provide context about climate change to murals in the Wynwood district of the city, famous for its many murals.

That might offer as well be an option in the reconstruction of Notre Dame Cathedral in Paris after the horrific fire last month. There have been a variety of fanciful suggestions for re-imagining the roof and spire of the Cathedral. However, the French Senate recently passed a resolution to rebuild the Cathedral the way it was, to the extent possible. The creative re-workings of the Cathedral, if not present in reality, could be available virtually through an augmented reality overlay. That could include not only striking visualizations of Notre Dame’s roof (the spire as a beacon into space) but also historical info, such as the role of Victor Hugo’s novel (The Hunchback of Notre Dame) in exerting public pressure to preserve the valuable cultural heritage the Cathedral represents.