Non-verbal

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Competitiveness

Screen Shot 2013-02-03 at 10.26.11 PMI’m in the process of watching the Super Bowl, a quintessentially American institution and a demonstration of American competitiveness. There’s a lot of stake of course, but do the coaches and the players have to look so angry all the time? It started with the coin toss when the team captains frowningly looked away from each other. As the game progresses, lots of scowling players.  The tv commentators commented that the respective coaches encourage their players to be “on edge”.  In fact, lots of pushing and near fights.  But for me the most interesting scowling was the “game face” on Beyonce throughout her half time set. Does even music have to have an “in your face” attitude? This is an image of America that’s being projected to the rest of the world, in an event broadcast to a large number of countries.

Here’s another TV program which may not embody the best of a culture:  the German variety show, “Wetten, dass…” (I’ll bet that…).  An article in today’s NY Times, “Stupid German Tricks, Wearing Thin“, discusses the drop in popularity of the show which has run since 1981 and has been one of the highest profile shows on German TV.  I have to agree with the article that it’s astounding that such a dreadful show would have such a long run, given the grand cultural traditions in German literature and music.  Of course one could say the same for the popular German singers of recent decades such as Peter Alexander or Heino.  Could it be that the silly antics of “Wetten, dass..” (contestants bet with the host and others that they can win ridiculous challenges) are a release valve for the seriousness of German life? German society, like that of the US, is largely individualistic and values and rewards individual achievement. But for Germans, entertainment is making a mockery of that competitiveness.

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Who’s Italian?

The Italians may have lost in the recent European Soccer  Championships, but they did much better than anyone expected.  The most celebrated (and controversial) player for the Italian National Team was Mario Balotelli.  He’s the one who scored 2 goals to propel Italy to victory over heavily favored Germany. Balotelli was born in Sicily but speaks Italian with a broad northern accent. The big surprise, however,  is this:  he is black, born of  Ghanaian immigrants, but raised by an Italian adoptive family .  A story today on NPR talks about how the prominence of Balotelli is changing what it means to be Italian.  As with black players on other European teams, Balotelli has seen a lot of fan abuse and prejudice.  But the victory over Germany may change some opinions.

The photo above, with his mother, may contribute as well to a changed view:  “As the triumphant striker approached the stands, he gave this championship its iconic photo off the pitch — the 6-foot-2-inch black Italian Mario hugging his petite white Italian mother, Sylvia.  The sight of his mother’s hand caressing the Mohawk-topped head sent a powerful message in a society where la mamma still plays a crucial role and where immigrants are most often treated as second-class. And when Balotelli ripped off his T-shirt, proudly showing off his statuesque physique, it was as if to say, ‘I’m black, I’m Italian and I am here to stay'” (NPR).  Interestingly, something similar has happened in Germany with the Turkish-German soccer star Mesut Özil.  Are these echoes of Jackie Robinson in American baseball history?

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Dingo and Baby

Recent news report from Austrialia that a coroner 32 years after the event rules that in fact the dingo did take the baby.  This is the famous case of Azaria Chamberlain, the baby who in 1980 was reported by her partents to have been snatched away by a dingo, the oldest known member of the dog family.  There was disbelief at the time that a dingo was capable of carring off a baby and the parents were suspected of either killing their child or letting her die from neglect.  The mother was convicted of murder in large part due to her body language after the event.  She did not show the kind of grief expected to have been generated by the loss of her only child.  On object lesson in the importance of non-verbal communication.  It’s not Meryl Streep’s greatest moment in film, but the her representation of the mother in court in the 1988 movie, A Cry in the Dark, demonstrates the problem.