Month: December 2019

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From the Capital of the Confederacy:  “Rumors of War” points to change

Rumors of War

This week in Richmond, Virginia, the Capital of the Confederacy a monumental shift took place, literally, with the erection of a new statue, a young black man astride a horse. That statue by Kehinde Wiley, entitled “Rumors of War”, installed in front of the Virginia Museum of Fine Arts,  is located a short distance from a famous row of statues of Confederate war heroes and generals along Monument Avenue. Those statues, installed in the early 20th century, celebrate the Southern “Lost Cause”, the idea that the Confederacy, rather than being a defender of slavery, was a just and heroic effort, bolstered by the primacy of states’ rights. The era when the statues were erected was also the time of the Jim Crow Laws, which institutionalized segregation and the inferior status of African-Americans in all spheres of public life.

JEB Stuart monument

One of those statues, of Confederate General J.E.B. Stuart was, according to Wiley, the inspiration for his own statue. The Stuart statue was the first to be erected on Monument Avenue, in 1907. According to the Richmond Times-Dispatch, when Wiley, on a visit to Richmond, first saw Stuart’s statue, it “filled him with dread”. As an African-American artist, that reaction is quite understandable. As a White Northerner, coming to Richmond in the 1970’s, I had a less visceral reaction to the Lost Cause iconography, one of surprise. In civics class in Illinois (“Land of Lincoln”) in the 7th grade, we understood that the South not only lost, but did so defending the cruel institution of slavery. My assumption was that folks in the South would much rather just forget that whole episode of American history. Imagine my surprise on seeing huge statues of the folks who were on the wrong side of history.

“Rumors of War” is of the same monumental scale as those of Stuart and the other Confederate heroes. The black man featured is no shrinking violet. He boldly sits astride his powerful horse, with looks that celebrate the contemporary young black American male: dreadlocks, ripped jeans, hoodie. In that way, the statue is not just a counterpoint to Stuart, it is a defiant celebration of young black men, a group not widely celebrated in the US today. As cited in the Richmond Times-Dispatch, Wiley wanted to suggest through the statue that US society “say yes to black men”.

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A Christmas market heralds the Great Replacement

I was in Germany last week and, among other cities, I spent some time in Nuremberg (Nürnberg), the second largest city in the state of Bavaria. For US Americans, the likely association of the city is with Nazi Germany, as it was there where the war crimes against top Nazis were held after World War 2. It was, in fact, a favorite city of Hitler’s, where the huge Nazi party rallies were held every year and where the infamous Nuremberg Race Laws against Jews were announced in 1935.

For many Germans, the association is likely to be different, namely, connecting the city to traditional arts and especially to Albrecht Dürer, a native son and one of the greatest artists during the transition from medieval art to the modern era. The city had one of the best-preserved medieval town centers, until leveled during the war. Another – and possibly the strongest association – many Germans have with the city is its Christmas Market (Christkindlesmarkt). Many cities, large and small, throughout Germany have such markets, which provide street food (most prominently sausages) and drink (Glühwein = mulled wine), as well as traditional artisan products, gifts, and local specialties.

Nuremberg Christmas market

Nuremberg’s market stands out due to the number and quality of artisan products and its reputation as the center of production of Lebkuchen, a traditional gingerbread-style cookie. It also has a long tradition which includes a competition each year for a young girl to play the role of the official representative (Christkind) of the market. Her role is to open the market in a formal speech (and fancy costume) the opening day and to serve for 2 years as a goodwill and publicity ambassador for the market and the city

Benigna Munsi of Nuremberg

This year there was some controversy in the choice of the Christkind, Benigna Munsi, the local daughter of a father from India and a mother from Germany. After her selection was announced, a member of the far-right AFD Party (“Alternative for Germany”) posted on Facebook, along with a picture of the 17-year old girl, the comment, Nürnberg hat ein neues Christkind. Eines Tages wird es uns wie den Indianern gehen.” (“Nuremberg has a new Christkind. One day we will suffer the same


Benigna Munsi as the Nuremberg “Christkind”

fate as the American Indians”). The comment evokes the anti-immigrant and nationalistic “replacement theory“, the idea that whites are being systematically (and with support from Western governments) winnowed out of majority status due to mass immigration and low birth rates among whites. The comment was roundly denounced in Germany, but its racist tone is reflected in commonly heard remarks from far-right politicians in many European countries today. The white genocide conspiracy theory of the “Great Replacement” (title of a book by French writer Renaud Camus in 2011) was also on display in the US in the Charlottesville alt-right march in 2017.

The irony of making this racist statement in – of all places in Germany – in Nuremberg was surely lost on the Bavarian AFD Party. But the rest of us should make the connection between such dangerous racist remarks and Nazi ideology, which lead to real, not imagined, genocide.